Detail at Cosanti in Paradise Valley |
Last week I was in Flagstaff for a retrospective of Paolo
Soleri’s work at Northern Arizona University (“Paolo Soleri: Think. Draw. Build. Sustain,” through April 13). I was moved by Soleri’s beautiful
renderings and unusual ideas. Among his models and drawings were a number of
bridges, which seemed to be a particular fascination for this visionary
architect whose work spanned multiple disciplines. Yesterday, I was sad to
learn that he had crossed another bridge, dying at the age of 93 at his home in
Paradise Valley, AZ.
Born in 1919 in Turin, Italy, Paolo Soleri continued his
architectural studies in the U.S. with Frank Lloyd Wright at Taliesin and
Taliesin West. He settled permanently in Arizona in 1956, establishing a home
and studio in Paradise Valley, which he named Cosanti, a coined word from the
Italian for “against things,” referring to the materialism and commercialism
that so often keep us out of harmony with nature. That theme was apparent in
the work chosen for NAU’s exhibition, combining organic forms, bold
color, and equally bold ideas about how we can find more sustainable ways to
live on earth.
Most mornings, I begin by checking in with one of my
favorite blogs, Grist. In contrast to typically alarmist news about how we
have become disconnected from our environment, Grist often highlights inspiring stories about people who are innovating ways to live in harmony with the
planet. Decades ago, Paolo Soleri did that, recognizing that we could turn our
backs on materialism to embrace nature’s grand scale and organic forms while
still satisfying the human need for beauty and order.
Soleri may not have been the first to imagine this
holistic approach (his work has echoes of ancient archaeology and Leonardo da
Vinci, as well as Frank Lloyd Wright), but he was unafraid of risk, experimentation, and rejection. He also
coined the word arcology, combining ecology and architecture, to promote a very
different human interaction with earthly spaces. Think of it: Most of our homes
are variations on boxes, and this was a man who truly saw outside the box.
Many of Soleri’s designs remain dreams, never achieving
public support or funding. Among his realized works in Arizona we have Cosanti
and Arcosanti (his experimental urban community, about 5 percent complete). Both are places
where we can stand inside this man’s vision and be embraced by his
sensibilities for architecture, nature, and even music, art, mathematics, and
history. And a few years back, one of his many bridge designs was completed, essentially a giant solar calendar crossing the Arizona Canal in Scottsdale. On
April 20, a movie about Soleri will be screened at the Scottsdale Museum of Contemporary Art as
part of Modern Phoenix Week.
Paolo Soleri was ahead of his time, but I have a feeling
that the rest of us will catch up and catch on, and that one day I’ll be
reading Grist to learn that someone has picked up a Soleri concept and adapted
it to real-world conditions. A few decades ago, his ideas may have looked like
something out of a science fiction film. Someday, Paolo Soleri’s vision could
be the view outside our front doors.